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Snappy snare drum processing full#
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Snappy snare drum processing free#
If your budget does not have room for my ultimate guide, you can always sign up for my free EQ course, and get over 70 hacks to better mixes, while you save up for the ultimate guide.Please see the section on ‘Returns’ in our Cancellations & Returns policy to initiate the process. Hit the link to get started on the path to perfectly sculpted drum sounds: To get that perfectly EQ’d drum sound, along with dozens of other EQ tips you can Out of all the different processors you use to get a great sounding snare drum, the most important one is by far EQ.Ĭompression is a close second, but if you don’t have a nice sounding snare sound to compress, you’re still going to have frequency problems.Ī well recorded snare that you’ve sculpted perfectly with the right EQ will give you the perfect ingredients for a tight sounding drum sound. Sending your drums to a separate buss and squashing them underneath the natural sounding drum sound can give you the best of both worlds without worrying about overcompression. When all else fails, parallel compression comes to the rescue.
But if you want a distinct snare sound you should send your snare to a separate reverb to really bring it out in the mix. This is often a tight “drum room” type preset or other. Separate reverbĪ lot of times you send all the drums to the same reverb to get a similar sound for the whole drum-kit. Combined with the right compressor type you can actually get a pretty thick sounding snare drum by just using compression. Slower releaseĪ slower release increases the sustain of the snare, making it sound thicker and beefier. Time your attack to the song but make sure you leave enough time on the attack to let that crackle get through. If you use a fast attack on your compressor the snares will get eaten up by the compressor. You gotta let that crackle of the snares get through. But if you’re just looking for a tighter sound without a lot of reverb a short, tight reverb will thicken up the snare sound without adding too much space to the mix. You can use a long reverb for a big spacious ballad. There’s a ton of different ways you can use reverb on snare. If the snare sounds awesome in the overheads, you’ve won half the battle. Only then can you bring in the individual mics to enhance your drums. Focus on making the overhead sound the best sounding overheads you’ve ever heard. Sometimes the snare drum mic isn’t what brings out the character of the snare at all. Focus on bringing out the snare in the overheads Bringing out the snares in the higher-mids is crucial to giving your snare sound the presence it needs. Add some crackleīut without the *whack* the *thump* will just sound boomy and muddy. Don’t underestimate the lower-mids when you need a tight and punchy snare sound. Sometimes snares are all *whack* and no *thump*. Cutting the boxy sound from your drum will give it a rounder sound. It’s one of those things you need to learn to find and cut immediately. EQ out the boxinessīoxiness can make any drum sound awful. Experiment with different compressor types to bring out the character you really want from the snare. The right compression type can make the snare sound different. The snare is the colorful and strong Superman to the thick and dark kick-drum’s Batman.Īnd because the snare sound is such an important thing to every mix, here are 10 things you should think about the next time you’re trying to make that snare sound explode out of your monitors. If the drum-kit were The Avengers, the snare would be Iron Man. If your drum-kit were a band, the snare drum would be the frontman.
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